July 10, 2005
Recommendations
Mood:
a-ok
Now Playing: Some Obscure Flicks I Like You May Like
Topic: Movie Reviews
In the Mood for Love: Set in Hong Kong, 1962, Chow Mo-Wan is a newspaper editor who moves into a new building with his wife. At approximately the same time, Su Li-zhen, a beautiful secretary and her executive husband also move in to the crowded building. With their spouses often away, Chow and Li-zhen spend time together as friends. Soon, they are shocked to discover that their spouses are having an affair. Hurt and angry, they find comfort in their growing friendship even as they resolve not to be like their unfaithful mates.
Paris is Burning: This is a documentary of 'drag nights' among New York's African- and Latino-American underclass. Drag queens are interviewed and observed preparing for and competing in many 'balls'.
The Spook Who Sat by the Door: A black man plays Uncle Tom in order to gain access to CIA training, then uses that knowledge to plot a new American Revolution.
Eat, Drink, Man, Woman: Senior Master Chef Chu lives in a large house in Taipei with his three unmarried daughters, Jia-Jen, a chemistry teacher converted to Christianity, Jia-Chien, an airline executive, and Jia-Ning, a student who also works in a fast food restaurant. Life in the house revolves around the ritual of an elaborate dinner each Sunday, and the love lives of all the family members.
Dirty Pretty Things
: Okwe, a kind-hearted Nigerian doctor, and Senay, a Turkish chambermaid, work at the same West London hotel. The hotel is run by Senor Sneaky and is the sort of place where dirty business like drug dealing and prostitution takes place. However, when Okwe finds a human heart in one of the toilets, he uncovers something far more sinister than just a common crime.
He Loves Me, He Loves Me Not: Angelique, a young student, is in love with a married doctor. We see her attempts to make him leave his pregnant wife, but he does not appear for meetings or finally the booked journey to Florence. Then the movie is turned back to the beginning, and the view changes: We are now following the view of the doctor instead of Angeliques. And things look quite different now...
Mired in Mediocrity
Mood:
incredulous
LOS ANGELES (Reuters) - The superhero movie "Fantastic Four" overcame some of the worst reviews of the year to top the North American box office with better-than-expected weekend ticket sales of $56 million, its distributor 20th Century Fox said on Sunday.This is further proof to me that any medicore thing marketed properly in this country will be rewarded with success. Our current president is case in point. Boy, don't even get me started. I'm just going to keep my head in the sand until 2008 and hope that the right doesn't fuck me up the ass while I'm bent over.
I have a child who is a little over 4 months old, and I've become absolutely determined to put the parental control lock on all of the cartoon and children's channels. Just too much animated stimuli and the commericals are just making them into consumers
WAAAAAYYYY to early. I'm so sick of kids coming into the library, eyes glazed, pissed because all of the Dora the Explorer, Power Puff Girls, Little Bill books are checked out, rather, stolen/missing.
Last night I watched a movie called
Brother 2 Brother. It had a good premise, but something lacked that it didn't quite keep my attention. I think it was the main fact that a person who was in their 20s during the Harlem Renassiance wouldn't be a spry 70-something in 2004. Anywho...Brother to Brother tackled something that is rarely discussed in the African-American community. Sexuality and gender is as much of the civil rights canvas as race. Gays who are black have two battles, but the civil rights movement have forced them to keep their sexuality hidden.
July 8, 2005
I Was An Ozalot Back Before It Was Cool and Maybe a Bit Creepy
Mood:
d'oh
Now Playing: A Return to Oz
Topic: Celebrity News/Thoughts
I used to be an Ozalot. I even have a tee-shirt declaring as much. I also have an I love Oz pin. I saw the musical
The Boy From Oz 7 times. I sing songs from the soundtrack to my baby as a lullaby. Hugh Jackman still shows up in my dreams promising me all sorts of unspeakable fulfillment. However, sometimes, it's best to let things go. You hold on to things for too long and you get into a sort of stasis holding program. But Hugh Jackman is delicious enough to destroy all senses of logic. (I hope his new flick The Fountain proves how talented he really is. Aside from his X-men movies and his musical work, his film choices are kind of *blech*. I still watch them anyway because, hey, it's Wolverine. That sexy muthefucker.)
(Ricky Martin also has a new song out which sounds surprisingly a lot like an Usher song. I was also in a Ricky Martin fan club from 1999-2001, roughly. I still do Living La Vida Loca on karaoke machines but I have to admit that his self-titled English language debut was kind of sucky. However, his second, Sound Loaded, was really good aside from She Bangs.)
Anywhoo...Ozalots strikes again...
Fans: Another Sort of 'Ozfest'
Newsweek
June 6 issue - "The Boy From Oz," a Broadway show starring Hugh Jackman, closed last fall. But the play's fans are scheming to keep it alive. This spring the devotees formed Ozalot Productions to get the play made into a movie. "Hugh Jackman could end up the biggest star in the world," says Ozalot prez Barbara Whittaker. His turn as songwriter Peter Allen, she says, "has to be committed to film."
Of course, the Ozalots have a few casting ideas. In an online debate that stretched for months, they settled on Mike Nichols as director, Anne Hathaway as Liza Minnelli and Eric McCormack as Jackman's lover.
Earlier this month a group of fans tracked down Jackman at a Broadway event in New York, introduced themselves and handed him a cast list. They hope that he'll produce the movie and then hire them as extras. Jackman, who's hosting the Tony Awards June 5, isn't ruling it out. "My fans are terrific," he tells NEWSWEEK. "We'll see."
—Ramin Setoodeh
? 2005 Newsweek, Inc.
? 2005 MSNBC.com
URL: http://msnbc.msn.com/id/8017669/site/newsweek/
No More Comic Book Movies, Please
Mood:
irritated
Now Playing: The Fantastic Four
Topic: Movie Reviews
The Fantastic Four opens today nationwide. As soon as I had heard they were making a movie based on the FF comic book, I groaned. I remember the ill-fated one from the late 80s/early 90s that is only availble on bootleg. It sucked and I'm sure this one does too. Actually, if you read the
New York Times Review you'll have proof that it sucks.
We've had
X-men, Spider-Man, the Hulk, Batman, Superman (and Superman again coming soon!),
the Punisher (two versions that were both awful),
Blade (first two kicked serious ass and I could watch the first one non-stop),
Elektra (*groan*), Daredevil (*double groan*),
Constantine, and
Sin City (which I actually want to see for the animation/flimmaking style although I've pretty much come to the conclusion that Robert Rodriguez is a mediocore filmmaker). Can we stop right there? How many more comic books have to be ruined because of the movie franchises they spawned.
(Wait, I know what you're thinking. You're thinking, but
X-Men and X-2 and Spider-Man and Spider-Man were good movies. Batman Begins was really good and
Super-man 2 with General Zod is legendary. This is true. All those movies were really good, but... Rumor has it that X-3 will be directed by Brett Ratner. A music video director? Who did Rush Hour 1 and 2 and the soulless
Manhunter-remake Red Dragon? Gimme a break. The X-men are much deeper than that of a director whose movies are as shallow as a puddle.)
Spider-Man 3 may be good, but lets just wait. Remember Batman #3, Superman #3 with Richard Pryor, or how about Star Trek 3? The third sequel in anything is guaranteed to be bad. Just ask Freddy, Jason, and Michael Myers. The Michael Keaton Batman movie that produced three more sequels pretty much destroyed the franchise that was only saved by darker, better written, and better acted animated series.)
Maybe it's my geek side coming out but I wish they would stop using comic books and popular novels to make movies. The writers' union should rise up and force Hollywood to come up with movies that have original plots.
But...
Not until they make...
A movie based on the comic book
Preacher starring...well...that will have to be another post. And a movie based on
The Amazing Adventures of Kavalier and Clay starring Adrien Brody as the Amazing Kavalier and the guy who plays Michael Novotony from Queer as Folk as Sammy Clay (or maybe Shia LeBeouf or Tim Roth). Susan Silverman or the girl from
Welcome to the Dollhouse should play Rosa--Kavalier's squeeze.
More casting posts to follow in the future.
Ahem...
I'll post more on this topic in the futre I'm sure...
July 7, 2005
I HOPE THIS MEANS I WON'T BE DISPLAYED IN A PAYLESS SHOES AISLE
Mood:
cheeky
Now Playing: fandom
Wednesday, July 6, 2005
Family has unique viewing at funeral home
Associated Press
PITTSBURGH -- James Henry Smith was a zealous Pittsburgh Steelers fan in life, and even death could not keep him from his favorite spot: in a recliner, in front of a TV showing his beloved team in action.
Smith, 55, of Pittsburgh, died of prostate cancer Thursday. Because his death wasn't unexpected, his family was able to plan for an unusual viewing Tuesday night.
The Samuel E. Coston Funeral Home erected a small stage in a viewing room, and arranged furniture on it much as it was in Smith's home on game day Sundays.
Smith's body was on the recliner, his feet crossed and a remote in his hand. He wore black and gold silk pajamas, slippers and a robe. A pack of cigarettes and a beer were at his side, while a high-definition TV played a continuous loop of Steelers highlights.
"I couldn't stop crying after looking at the Steeler blanket in his lap," said his sister, MaryAnn Nails, 58. "He loved football and nobody did [anything] until the game went off. It was just like he was at home."
Longtime friend Mary Jones called the viewing "a celebration."
"I saw it and I couldn't even cry," she said. "People will see him the way he was."
Smith's burial plans were more traditional; he'll be laid to rest in a casket.
ESPN.com:
I F*cking Love This Guy...
Mood:
a-ok
Now Playing: The Life and Art of Vern
The Life and Art of Vern Visit this site. Vern is this ex-con who writes movie reviews. They are so funny and observant. They're also not like your typical newspaper movie reviews. Check out, below, his review of
War of the Worlds with Tom Cruise. I couldn't have reviewed it better. (I don't curse that much when I'm writing except on this blog for some odd reason.) God bless my husband for finding these strange-ass websites!
Sometimes for scientifical type purposes I try to predict what bad puns the hack critics will use in reviews of upcoming movies. For WAR OF THE WORLDS I was leaning toward an "out of this world" or "worlds away from E.T." type thing. Somebody suggested "Bore of the Worlds" but I was saving that for "Fantastic Bore" and "Fantastic Snore."
But then I saw WAR OF THE WORLDS and you know what this is? The scariest PG-13 movie of all time. Fuck dinosaurs. Fuck a guy eating monkey brains. This is as hard as Steve Spielberg is gonna get. This is a well put together piece of work in my opinion. Usually making a movie PG-13 when it could be R is a copout, but in this case it's almost subversive. Sorry about taking the guns out of E.T., to make it up to you I'm gonna give your kids the worst nightmares from now until they turn 16.
So now I'm thinking the pun headline should be CLOSE ENCOUNTERS OF THE KIND WHERE YOU ALMOST SHIT YOUR PANTS. Or maybe E.T. - THE EXTRA-WE'REFUCKED-STRIAL.
This is, you probaly know, unless you're stupid, the story of aliens invading earth, etc. They drive around in death machines with three giant spindly legs, vaporize people, grab people with tentacles, suck the blood out of people, and that sort of thing. They do not, at least as far as we know in the movie, eat reeses pieces. Or get drunk or dress up like a girl. Maybe on the extended dvd.
What's really smart about the movie is that it's from the point of view of the poor saps on the ground. Usually in an alien invasion movie you sit in the halls of power with the world leaders and the military strategists and whoever else has a big screen with maps on it to point to. And you see scenes from god's point of view, all over the world, famous landmarks getting destroyed. And you're right there with the biggest hero in the world when he figures out how to stop the aliens. This is the opposite. You get none of that shit. You just get what happens to some guy in a leather coat. How he happens to survive. What he sees. Which is the same as what everybody else sees: some fucked up shit. Bodies floating, those things walking over, people dying, buildings dropping.
It all starts innocently, watching a weird storm from the backyard. After a little bit of set up, most of the movie consists of two things: 1). running. 2). hiding. Fuckup weekend dad Tom Cruise, angry teenage son and precocious/horrified daughter run and hide from the army of tripods. And if they don't see something happen, we don't see it either. The things are all over the place so we get good looks at them, usually in the distance. But you always feel like they might turn and see you. So you hide inside some basement somewhere and hear all kinds of horrible rumbling and exploding in the distance. There are lots of scary sounds in this movie. The tripods like to make this horrifying HOOOOOOOONNNNNNKKKK foghorn/lion roar type sound, which I suspect is their equivalent of american soldiers blasting Bon Jovi at Noriega or Eminem at some random dude they locked up in Abu Ghraib. They're just fucking with us. Or maybe it's their eqivalent of a car horn that plays "La Cuca Racha."
Or they could be communicating with that sound, it's up to you to decide. See, the other smart thing about the movie, it doesn't feel the need to explain every god damn thing. I mean, there is a little bit there (Morgan Freeman even narrates the beginning and end with text probaly from the book - don't worry, he's only the narrator, not some wise old man in the movie). But there's alot of shit that would be overexplained in your standard summer movie that Spielberg trusts you to be on your own with. So when Tom Cruise finds the wreckage of a huge jet in the front yard, you don't have to have someone explain how exactly it got there. There's a couple examples of weird, horrible things they see that I don't want to give away. Let's just say there aren't scientists making speeches about how everything works. Just a line here or there to offer theories. There isn't even TV reports to explain much because the electricity is out for most of the movie.
And it almost seems like they're taunting the audience, putting little things in there to make you expect the usual hollywood bullshit and then not giving it to you. For example the introduction of Tom Cruise has him operating a crane, with lots of closeups of his hands on the joysticks. I'm sure I wasn't the only one thinking "Oh jesus, he's gonna drive an alien spaceship." Never happens though. And they also make a big deal about the son always stealing his dad's car even though he doesn't have a license. But he doesn't drive an alien spaceship either. If this was INDEPENDENCE DAY, both of them would've driven spaceships. And there woulda been some reference to TOP GUN I bet. But WAR OF THE WORLDS doesn't play that shit.
There's alot of the usual Spielberg stuff (divorce, kids) but the tone is much grimmer and more serious than he's been for years. I liked his last couple sci-fi movies better than most people did, but in A.I. he threw in the Chris Rock cameo and in MINORITY REPORT there was the jetpack roasting the hamburgers incident. Here the tone is consistently horrific. It's the scary parts of JURASSIC PARK and not the jokey parts. It has equivalents to the raptors coming in the kitchen and the t-rex nuzzling the car but no jokes about evil lawyers getting eaten on the shitter. And instead of Sam Neill barely able to walk because he's so awed by the dazzling sight of real live dinosaurs, you get Tom Cruise barely able to walk because he just watched a weird machine come out of the ground and kill a whole bunch of people, and he's covered in what's left of them. Even John Williams manages to make a subdued, eerie score instead of his usual majestic anthemy business. I actually didn't think it was him until I checked IMDB. (A popular web sight where you can look up movies.)
The effects in the movie are real good too. They never make you want to cheer, they make you want to duck. They did a good job of capturing those "oh shit am I really seeing this?" moments people experience during natural disasters, terrorist attacks and specials on Fox. Also there are good "what the hell is that sound?" moments. This movie proved to me that yes, the guy who did Jurassic Park IS the same guy who did Jaws.
I've heard some complaints about the ending, that it ends in reasonable happiness. By the way the aliens are killed by germs. (If that was a spoiler, I better not mention that dorothy gets home by bangin her slippers together and goldilocks ends up fucking everything up at the bear house.) I guess it's a legitimate point, it might've been even better if there was more of a toll on main characters. But it didn't seem disappointing to me. I knew going in this was Steve Spielberg, it's not like I was expecting a Texas Chain Saw ending with Tom giggling crazily in the back of a pickup truck.
One dumb little thing that did take me out of the movie though. Early in the movie when Tom Cruise walks down the block to find out what the hell is going on, he runs into a couple of his buddies, and one of them is an actor named Rick Gonzalez. I had to look him up because I just know him as the wacky afro-puff dude from BIKER BOYZ, OLD SCHOOL and I guess COACH CARTER. He doesn't seem like a guy Tom Cruise's character would know, he seems like a guy who gets work in lots of commercials because he has a quirky hairstyle. I mean nothing against him personally, I'm sure he's an all right guy, but he's a guy you expect to maybe see in the Fanta commercial before the movie, but not during the movie, if it's a serious one like this.
BIKER BOYZ wasn't that bad though. But this one is way better. [Kiki's note: Biker Boyz was actually very good flick. It was one of the rare contemporary black movies that shows you a cross section of a black life you've never seen before.]
SEE THE MOVIE THAT CRITICS THINK THE WORLD OF
"WAY BETTER THAN BIKER BOYZ!... You almost shit your pants. It's out of this world!" --Vern, Then Fuck You Jack
p.s. Be sure to stay for the credits, because at the end the little E.T. on the Amblin Entertainment logo turns to you and swears his people had nothing to do with this shit, please do not invade. He just came down and road bikes with kids and shit like that, please don't lump him in with those other guys from space.
Luna: A Novel--Best GLBT Young Adult Book I Ever Read
Mood:
celebratory
Now Playing: Luna: A Novel By Julie Anne Peters
Topic: Book Reviews
I've been reading a lot of Young Adult novels since February--since I started my job as a YA librarian. Most of the books I've read have been fluffy, predictable, or popular (to the teens) fiction. In June, I set up a Gay Lesbian Bisexual and Transgender book display to commemorate GLBT Pride month. You see, this is my gig. I set up special book displays to attract teens to books that they normally wouldn't pick up. Unfortunately, the books didn't move that much. I guess the girls in the detention center I visit are the only ones who aren't afraid to demand Gay and Lesbian fiction.
Okay...so I've read plenty of GLBT YA novels. I've read
Alex Sanchez's Rainbow Boys, Rainbow High, and So Hard to Say (which I couldn't finish, but hey it's not written for me anyway). I also read and enjoyed
M.E. Kerr's Deliver Us From Evie. I also read
Brent Tattinger's (?) The Geography Club. After awhile, though, you read one novel about a teen coming out of the closet you read them all. Except, when you read
Luna.
Luna is an emotionally dense story about Regan, Liam, and their parents the O'Neills. The overarching theme is that this family is trapped by their secrets and circumstances. Liam is a girl living in a boy's body, and decides to break free from his prison by beginning to transition (he starts to dress as woman in public and goes by the name Luna). Younger sister Regan is seemingly the only one who knows of his situation, and works so hard to keep it a secret that she has no time or energy to work on her own life. The O'Neills are trapped by the circumstances of their lives--neither one of them or their children have lived up to their expectations.
This tale, told from Regan's perspective, goes between present day events and the past. In the memories that Regan recalls, she wonders how people couldn't have known that her brother Liam has had Luna trapped inside of him for a very long time.
Luna is a wonderfully written and touching book. Not only that, it is the first fiction book about Transgender teens that I've ever read or heard about. (One of the best books I've read about being TG and its effect on the family is the memoir--
Dress Codes: Of Three Girlhoods---My Mother's, My Father's, and MineOkay, now that I've searched both of these books on Amazon.com, I'm sure that all of my recommendations will be about Transsexuals. *sigh* I wonder if Amazon.com's recommendations will ever get it close to being right. I'm a complex woman damnit and I have many interests. Don't pigeon hole me, Amazon!!!! BTW, happy 10th Anniversary.I almost wrote Julie Anne Peters a fan letter. Well, I still might. :-) Check her out:
Julie Anne Peters
July 6, 2005
War of the Worlds Scared the Shit out of Me and Drove Tom Cruise Crazy
Mood:
chillin'
Now Playing: War of the Worlds
Topic: Movie Reviews
I've been severely mentally sidetracked by Steven Spielberg's
War of the Worlds. It was an excellent movie, clocking in at about 2 hours long. It's action packed, drama filled, and the tension is as taut as a guitar string. Let me stress this with the utmost seriousness, this movie is terrifying. Its the best and the scariet movie I've
seen in the 18 months. If you suffering from the teeniest, tiniest, eensy-bitsest (sp?) post traumatic stress from 9/11, don't see this movie. There are many scenes that are reminiscent of that day. Thankfully, Steven spared us from showing NYC being devastated (yet again) on film. That sh*t ain't cool to look at no more.
I sat through the majority of this movie with my mouth open, and my hands gripped my face. I even screamed a few times. I was not alone in the theatre
with this reaction. I think my husband put it best when he said: "if I was watching this movie at home, I would have straight up stopped it and put it back in the case." It jangled my nerves so much I was tempted to leave the theater in the middle, but was too afraid that I would have fallen down the steps from my own flashback of terror. There is one scene where American fighters streak loudly across the sky that reminded me of 9/12 when a fighter flew low and fast over my apartment, and I cowered under the table in fear.
Maybe your resolve is better than mine. If it is, see the movie. It is great. If it isn't, pretend like you did and call it a movie seen. As a matter of fact, see
Batman Begins. That was good, dark, but not as frightful.
~~~
I'm truly waiting for Tom Cruise's head to explode on television. Is it me or has he truly lost it? I've never seen him so animated or clearly not giving a damn. I used to have a crush on him 20 years ago. My soft spot for him is quickly fading although I do like his recent string of movies. Give me a movie with Tom Cruise running like a madman and I'll give you a movie I might enjoy.
Newer | Latest | Older